Linda Gray – Dallas Decoder

It’s Time to Renew ‘Dallas,’ TNT

October 1, 2014 by Chris Baker 39 Comments

Dallas, John Ross Ewing, Josh Henderson, Judith Light, Judith Ryland, TNT

Give us what we want, TNT

Will TNT renew “Dallas” for a fourth season? I have no idea, but there’s no shortage of reasons why this show deserves another year.

Let’s start with the numbers:

• TV ratings. Yes, they’ve dropped. “Dallas” averaged 1.9 million viewers on Mondays this year, down 28 percent from its second season, according to Nielsen. However, the audience includes approximately 592,000 adults between ages 18 and 49, a demographic TNT is eager to court. Among these viewers, “Dallas” fares better than three other TNT dramas — including “Murder in the First,” which just got renewed.

• DVR ratings. “Dallas” gets a nice boost from DVR users who record the episodes and watch them a few days later. Example: The third-season finale opened to 1.7 million viewers on September 22, but within three days, DVR users lifted the audience to 2.4 million viewers. Although this is the smallest DVR-boosted audience that TNT has reported for “Dallas,” it still means the finale’s viewership grew roughly 40 percent — not bad when you consider the two-hour episode debuted amid the crush of fall premiere week, when DVRs fill up fast.

• Social media. “Dallas” has 1.6 million Facebook fans, more than any other TNT drama, and 94,000 Twitter followers, second only to “Rizzoli & Isles.” Also, five times during the past six weeks, “Dallas” has cracked a weekly ranking of cable’s 25 buzziest shows on social media — including last week, when the season finale ranked fifth.

Is any of this good enough for TNT? Let’s hope so. The network’s executives are likely weighing a lot of other numbers that fans like us aren’t privy to, including “Dallas’s” production costs and revenue from product placement, DVD sales, merchandising and foreign broadcasts.

But this decision shouldn’t be about numbers only.

“Dallas” also deserves another season because the show is a creative success. Vets like Patrick Duffy and Linda Gray are doing some of the finest work of their careers on the new “Dallas,” while Josh Henderson has become a breakout star. The production values are also first-rate, and even though some of us diehards quibble with the storytelling now and then, “Dallas” remains one of the most absorbing hours on television.

This brings me to the other big reason “Dallas” deserves another year: Loyalty.

It’s one of the show’s major themes, but it’s also part of the fabric of “Dallas” fandom. Few shows inspire this kind of devotion. Some of us have been watching “Dallas” for more than 30 years — we tuned into the original show on Fridays nights in the 1980s, and then we watched the reruns and DVDs — while others are newcomers who’ve stuck with the TNT series through time slot changes, long hiatuses and split seasons.

TNT has a history with “Dallas” too. Back in 1991, when the network was still new, it showed “Dallas” reruns weekday mornings at 10, right after Bugs Bunny cartoons. TNT even ran a contest inviting viewers to submit lyrics to the theme. None other than Larry Hagman showed up to introduce the winning entry, which went like this:

Oh we own this

And we own that

As far as the eye can see!

From Texas soil

We pump Ewing oil

Daddy Jock, brother Bobby

And me!

Yes, I’m J.R.

I’m known near and far

A rat in a town

That’s cat-free!

I make big deals

And I’ve got one that’s real

Merging “Dallas” with TNT!

TNT, “Dallas” isn’t just part of our heritage. It’s part of yours too. Renew it today, and keep the tradition going.

Why do you think “Dallas” should be renewed? Share your comments below and read more opinions from Dallas Decoder.

Filed Under: Opinion, Opinion Tagged With: Josh Henderson, Larry Hagman, Linda Gray, Patrick Duffy, TNT

TNT’s Dallas Styles: ‘Endgame’ and ‘Brave New World’

September 28, 2014 by Chris Baker 1 Comment

“Dallas” ended its third season with heroes falling and villains rising — and their costumes reflected their changing fortunes.

John Ross (Josh Henderson) went rogue when he headed to Mexico to save Ewing Global and his mistress Emma — not necessarily in that order — and so of course he donned his trusty leather jacket, which has been a symbol of heroism and rebellion on “Dallas” from the original show’s earliest days. Later, when Emma (Emma Bell) stood in the Southfork driveway and delivered a heartfelt apology for all the trouble she caused this year, she wore a plain, no-frills hoodie, an ideal choice for a character baring her soul.

Meanwhile, Sue Ellen ended the season by gazing at J.R.’s portrait and declaring she finally felt free of him. “Hell, I might even find love again,” she told Bobby — and does anyone doubt she’s ready? Costume designer Rachel Sage Kunin dressed Linda Gray in a sexy blue dress, which suggested she’s feeling fun and flirty again now that she’s back on the wagon. Later, Judith (Judith Light) made a dramatic entrance with an outfit to match — a white blouse with a bold design, black skirt and killer earrings.

The most dramatic transformation belonged to Nicolas (Juan Pablo Di Pace), who was revealed in the closing moments of the season as the evil mastermind behind the deaths of El Pozolero, Luis and — sniff, sniff — Christopher. For this scene, Kunin dressed Di Pace in a white suit, which highlighted his dark features. He’s never looked deadlier, has he?

I also love how Nicolas was walking with a cane, the accessory of choice for evil geniuses everywhere. Plop a purring kitten in his lap next season and his supervillain look will be complete.

What were your favorite looks in “Endgame” and “Brave New World”? Share your thoughts in the comments section below and read more “Dallas Styles.”

Filed Under: Dallas Styles, Dallas Styles (TNT), Features Tagged With: Brave New World, Emma Bell, Endgame, Josh Henderson, Juan Pablo di Pace, Judith Light, Linda Gray, TNT, Which Ewing Dies?

TNT’s Dallas Scene of the Day: ‘I’m Worse’

September 28, 2014 by Chris Baker 10 Comments

Brave New World, Dallas, John Ross Ewing, Josh Henderson, Judith Light, Judith Ryland, TNT

Strange alliance

In “Brave New World,” “Dallas’s” third-season finale, Bobby and Sue Ellen (Patrick Duffy, Linda Gray) stand in the Ewing Global offices, gazing at J.R.’s portrait.

BOBBY: I miss him.

SUE ELLEN: Me too, but I think I finally feel free of him. Hell, I might even find love again.

BOBBY: You deserve that, Sue Ellen.

John Ross (Josh Henderson) enters.

JOHN ROSS: I agree. I want you to be happy, Mama.

SUE ELLEN: I am so glad you came back, John Ross.

JOHN ROSS: I just wanted to let you know that there are no hard feelings about what you did to me. [To Bobby] And I wanted to let you know that I am sorry to hear that you had to resign as railroad commissioner to buy those shares. [Sighs] It’s sad news, especially given all the environmental work you did with that lesser prairie chicken.

BOBBY: [Smiling] What are you up to, John Ross?

JOHN ROSS: See? Always suspicious of me, Uncle Bobby. A guy could get a complex. But since you ask, I’d like to take this opportunity to introduce you to the new railroad commissioner.

The elevator dings and the doors open, revealing Judith (Judith Light).

BOBBY: [Chuckling] You have got to be kidding.

JUDITH: [Striding into the room] It’s no joke, Bobby. The governor and I are old friends through some ladies he knows, and I’ve always had an eye toward public service. So when John Ross mentioned that the position opened, well, I jumped on it.

JOHN ROSS: Now those Ryland ships that I procured for Ewing Global to drill the Arctic? They can only enter, and exit, through ports of Texas — ports that are regulated by the railroad commission.

JUDITH: So if you want to make a play for that grand frontier, you’re going to have to deal with me.

JOHN ROSS: She means “us.”

BOBBY: Well, you can partner with the devil all you want to, boy. It won’t make any difference. I’ll always see it coming. In a lifetime, your daddy never got the best of me, and he was twice the opponent you’ll ever be.

JOHN ROSS: You see, that’s just it, Uncle Bobby. The last few months, no matter how much my old man I try to be, everybody keeps telling me, “You are just like your father.” I’ve done some soul searching, and I finally figured out the answer. [Steps forward, gets in Bobby’s face] I am not just like my father. I’m worse.

He locks arms with Judith, they walk into the elevator and turn to look back at Bobby and Sue Ellen as the doors close.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (TNT), Features Tagged With: Brave New World, Josh Henderson, Julie Gonzalo, Linda Gray, Patrick Duffy, TNT

‘Which Ewing Dies?’ It’s [Spoiler]

September 22, 2014 by Chris Baker 75 Comments

Warning: This article reveals the identity of the character killed during “Dallas’s” third-season finale. Other storylines are also discussed. Scroll down to read more.

No, seriously, if you don’t want to know, stop reading now.

You’ve been warned.

As promised, TNT’s “Dallas” killed off a Ewing in its third-season finale. The victim: Christopher, who apparently perished in a car bombing. In another surprise twist, John Ross learned he has a sister — or maybe a half-sister — courtesy of J.R.

During the back-to-back episodes, Ann and Emma (Brenda Strong, Emma Bell) were rescued from the cartel, Elena (Jordana Brewster) shot and wounded Nicolas (Juan Pablo Di Pace) after discovering he was responsible for her brother’s death, and Bobby and Ann reconciled, although she worried Tracey (Melinda Clarke) was making a play for her husband.

At the end of the second hour, Bobby and Sue Ellen (Patrick Duffy, Linda Gray) joined forces to buy back Ewing Global from the government after the feds seized the cartel’s assets. John Ross (Josh Henderson) — angry that he was shut out of Ewing Global and that Pamela (Julie Gonzalo) was cheating on him with Nasir (Pej Vahdat) — formed an alliance with Judith (Judith Ryland) and reconnected with Emma, who gave him a mysterious red file that Harris (Mitch Pileggi) had been compiling on J.R. before his death.

Meanwhile, after a more-menacing-than-ever Nicolas ordered hits on El Pozolero and Luis (Miguel Sandoval, Antonio Jaramillo), Elena was seen getting sick in a gas station bathroom, where the results of a home pregnancy test revealed she was expecting. She was on her way to join Christopher (Jesse Metcalfe) in the car when it blew up — the result, apparently, of a bomb planted by one of Nicolas’s henchmen.

The final scene: John Ross was in the back of limousine, where he received a call from Bum (Kevin Page), who wanted to discuss the contents of the mysterious red file on J.R. “What do you want me to do about it?” Bum asked. John Ross’s response: “I want you to find her, Bum. I want you to find my sister.”

Dallas Decoder’s coverage of the season finale will continue throughout the week, including a special edition of #DallasChat on Tuesday, September 23, as well as full-length critiques of the season-ending episodes, “Endgame” and “Brave New World,” and much more.

What did you think of “Dallas’s” third-season finale? Share your comments below and read more posts on Dallas Decoder’s “Which Ewing Dies?” page.

Filed Under: Features, Features Tagged With: Antonio Jaramillo, Brave New World, Brenda Strong, Emma Bell, Endgame, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Juan Pablo di Pace, Julie Gonzalo, Kevin Page, Linda Gray, Miguel Sandoval, Mitch Pileggi, Patrick Duffy, Pej Vahdat, TNT, Which Ewing Dies?

Dallas Burning Questions: Season 3, Week 14

September 22, 2014 by Chris Baker 6 Comments

Dallas, Judith Light, Judith Ryland, Linda Gray, Sue Ellen Ewing, TNT

Southfork showdown?

Here are the questions we’re pondering as we await tonight’s telecast of “Endgame” and “Brave New World,” the final episodes from “Dallas’s” third season:

Will Bobby rescue Ann and Emma? In the previous episode, “Boxed In,” Bobby (Patrick Duffy) learned about the kidnapping of Ann and Emma (Brenda Strong, Emma Bell) and devised a plan to secure their release. He persuaded his fellow railroad commissioners to approve an emergency drill near the Texas-Mexico border, hoping it will distract law enforcement long enough for the Mendez-Ochoa cartel to bring a train full of drugs into the United States. Bobby went to the Mexican “kill house,” where Ann and Emma are being held, and pitched his plan to Luis (Antonio Jaramillo), who said he’d go along with the scheme. Luis then threw Bobby a curveball, telling him he could take only one hostage home. Will Bobby really be forced to choose?

What will happen when Sue Ellen meets Judith? When Bobby embarked on his plan to bring Ann and Emma home, he received support from Harris and Judith (Mitch Pileggi, Judith Ryland). The publicity photos for tonight’s episodes show the Rylands at Southfork, where it looks like Sue Ellen (Linda Gray) and Judith will finally come face to face. This will probably be a low-key meeting between two understated, unassuming women, don’t you think?

What will happen to Ewing Global? After Pamela (Julie Gonzalo) moved into Elena’s old cottage on Southfork, she agreed to help John Ross (Josh Henderson) do his part to help save Ann and Emma. The estranged spouses went to Las Vegas, where Pamela charmed Nasir (Pej Vahdat), the sheik’s son, and persuaded him to give her and John Ross a huge loan. John Ross and Pamela’s plan: to make the cartel an offer it can’t refuse by buying in one fell swoop all the divisions of the company the gangsters are liquidating, piece by piece. Will the plan work?

Will Christopher rescue Elena? Elena (Jordana Brewster) was stunned when Nicolas (Juan Pablo Di Pace) confessed his connection to the cartel. Later, after Nicolas’s wife Lucia (Angélica Celaya) received the photographs her private eye snapped of Nicolas and Elena at their lakeside hideaway, Lucia agreed to tell Christopher where he’ll find her husband and Christopher’s ex-fiancée. Will Christopher arrive in time to save Elena? And why do the promos for tonight’s episode show Elena wielding a gun?

What brings Tracey back into Bobby’s life? Melinda Clarke, who made her “Dallas” debut a few weeks ago as Tracey McKay, one of Bobby’s ex-flames from the late 1980s, will appear during “Brave New World,” the second of tonight’s back-to-back episodes. Will she turn to Bobby to recover from the death of her nephew Hunter, or could she have something else in mind?

Which Ewing dies — and what’s J.R.’s secret? By now, everyone knows the “Dallas” producers are planning to kill a Ewing tonight. Showrunner Cynthia Cidre told Dallas Decoder the character will indeed be named “Ewing” and that the death will occur near the end of tonight’s finale. So who’ll be the victim? Perhaps equally importantly is this: According to TNT’s preview of the cliffhanger, “John Ross learns a shocking secret about J.R. that sends him halfway around the globe in search of a surprising new cohort.” What’s the secret, and who’s the cohort?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Filed Under: Dallas Burning Questions, Features Tagged With: Angélica Celaya, Antonio Jaramillo, Brave New World, Brenda Strong, Emma Bell, Endgame, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Juan Pablo di Pace, Judith Light, Julie Gonzalo, Linda Gray, Melinda Clarke, Mitch Pileggi, Patrick Duffy, Pej Vahdat, TNT, Which Ewing Dies?

‘Which Ewing Dies?’ New Clues Emerge in ‘Dallas’s’ Mystery

September 21, 2014 by Chris Baker 25 Comments

There’s still no telling which Ewing will die during “Dallas’s” third-season finale, although executive producer Cynthia Cidre offered a helpful hint when she told Dallas Decoder the death will be storyline-driven. So whose demise would yield the most drama? Here’s how the loss of certain characters might affect the storytelling.

Ann Ewing, Brenda Strong, Dallas, TNT, Which Ewing Dies

Please don’t go, girl

Ann Ewing. Even if Bobby brings Ann and Emma home from Mexico, the gals may not be out of danger. Suppose there’s a final clash between the Ewings and the cartel and Ann gets caught in the crossfire? What if Bobby holds Harris and Judith responsible for her death and embarks on a quest for revenge? It would add another dimension to the Ewing/Ryland feud while evoking the last season of the original show, when April was murdered and Bobby became obsessed with getting revenge. Of course, Bobby’s anger after Ann’s death would probably pale in comparison to the rage Brenda Strong’s fans would feel if “Dallas” kills off Ann — and can you imagine how upset they’ll be when Bobby starts dating again? (You know he will. It usually doesn’t take Bob long to mend a broken heart.) Even though Ann’s death could open new storylines for Patrick Duffy, it would be sad to see “Dallas” lose Strong, a marvelous actress and one of the show’s biggest boosters on social media. Nevertheless, like KSiteTV points out, our beloved Annie might be the likeliest to go.

Christopher Ewing, Dallas, Jesse Metcalfe, TNT, Which Ewing Dies

Like father, like son?

Christopher Ewing. If the thought of watching Bobby lose yet another wife doesn’t put a lump in your throat, imagine what it would be like to see him lose a son. Dropping Jesse Metcalfe from “Dallas” would be shocking, although the show would undoubtedly send Christopher out in a blaze of glory. Suppose Nicolas runs afoul of the Mexican drug lord El Pozolero, who retaliates by ordering a hit on Elena — only to have Christopher take the bullet for her? It would be this “Dallas’s” version of Bobby pushing Pam out of the path of Krazy Katherine’s car, minus the “it was all a dream” twist. Once again, Bobby might blame the Rylands for bringing the cartel into the Ewings’ lives and seek revenge, giving Duffy a powerful storyline next year. Christopher’s death could also allow “Dallas” to introduce a grown-up version of Lucas, Bobby’s biological son with Jenna — and not a moment too soon. Now that Pamela, Elena and Emma have all taken turns in John Ross’s bed, aren’t the “Dallas” leading ladies going to be in the market for some fresh beefcake?

Dallas, Elena Ramos, Jordana Brewster, TNT, Which Ewing Dies

Adios, Elena?

Elena Ramos. Cidre told Dallas Decoder the character who dies is named Ewing, adding, “It’s a Ewing we know well.” This would seem to rule out Jordana Brewster’s character — unless there’s a quickie wedding between Christopher and Elena during the season finale and Elena kicks the bucket shortly thereafter. It’s true the show has set the stage for Elena to be at the center of a “who’s the daddy?” pregnancy storyline, now that she’s bedded both Nicolas and John Ross while using her Swiss cheese diaphragm. But what if all that pregnancy business is a decoy to throw fans off the Elena death trail? In Cidre’s Ultimate Dallas interview, she coyly hinted the pregnancy storyline won’t play out the way the audience expects. Could that mean it won’t play out at all? Whatever the case, as much as I like Brewster, killing off Elena could be an efficient way to get rid of the Ramoses, whom many vocal fans never warmed to. Think about it: Now that Drew is dead and Carmen has quit working for the Ewings, what’s left for Elena to do?

Dallas, Julie Gonzalo, Pamela Rebecca Barnes Ewing, TNT, Which Ewing Dies

Gone, darlin’, gone?

Pamela Barnes Ewing. Now here’s a death that would truly suck. Julie Gonzalo and her character are hugely popular, especially among fans who are clamoring to see John Ross and Pamela get back together. But what if the Bobby/Ann scenario described above happens instead to John Ross and Pamela? Suppose she dies tragically at the hands of the cartel, setting John Ross off on a mission to destroy Nicolas and/or the Rylands? What if Cliff blames John Ross for his daughter’s death and comes after him, creating a circle of vengeance? There’s also the Barnes/Ewing feud to think about. Does Cliff have other kids who might crawl out of the woodwork to do battle with the Ewings? Or what if — I can barely bring myself to write this — the show decides to drop the feud altogether? Pamela did declare it was over recently (although she also said her fight with John Ross is just beginning). I can’t imagine “Dallas” without these two families squabbling, but don’t forget the title of this season’s final hour: “Brave New World.” Could that be the biggest hint of all?

Bobby Ewing, Dallas, John Ross Ewing, Josh Henderson, Linda Gray, Sue Ellen Ewing, TNT, Which Ewing Dies

No, nope, nada

Bobby, Sue Ellen or John Ross Ewing. I refuse to entertain the thought of any of these three characters dying. It also seems unlikely the show would kill off a beloved character from the original “Dallas.” It’s hard enough to imagine losing Ann, Christopher and Pamela! If pressed, I guess I could envision a scenario in which … nope, sorry. Can’t do it.

Who do you think will die? Share your theories below and read more posts on Dallas Decoder’s “Which Ewing Dies?” page.

Filed Under: Features, Features Tagged With: Brave New World, Brenda Strong, Cynthia Cidre, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Julie Gonzalo, Linda Gray, Patrick Duffy, TNT, Which Ewing Dies?

‘Which Ewing Dies?’ ‘Dallas’ Producer Offers a Tease

September 20, 2014 by Chris Baker 91 Comments

Christopher Ewing, Dallas, Endgame, Jesse Metcalfe, Linda Gray, Sue Ellen Ewing, TNT, Which Ewing Dies

Watch you backs, darlins

Warning: This article contains clues about the identity of the Ewing who’ll die during “Dallas’s” September 22 cliffhanger.

The character who dies in “Dallas’s” season finale is named Ewing, executive producer Cynthia Cidre told Dallas Decoder yesterday. “It’s a Ewing we know well,” she said.

Cidre declined to give additional details about the death, which has been the subject of intense speculation among fans since earlier this week, when TNT began airing a promo that promises “one Ewing will die” during the September 22 telecast.

Some fans predicted the show would kill off someone who is close to the Ewings but not necessarily a family member, but Cidre’s comments suggest this won’t be the case. She wouldn’t say if the character is played by one of the show’s main cast members, which keeps alive another fan theory — that the show will kill off someone from the original series, not one of the regular characters on TNT’s version.

The two-hour finale will be comprised of two episodes, “Endgame” and “Brave New World,” that will air back-to-back. Cidre said the death will come toward the end of the second hour, but it won’t necessarily be the last scene.

The “Dallas” producers decided to kill off the character for storyline purposes, not because the actor or actress wanted to leave, Cidre said. “It’s really what serves the story. We knew we wanted to hit something big at the end of the season. This is our first year without Larry [Hagman], and we wanted to make our own name in the ‘Dallas’ universe. It’s a pretty amazing scene,” she said.

Executives from both TNT and Warner Bros., the studio that produces “Dallas,” encouraged Cidre to go through with the death storyline when she pitched it to them. “They came back and said, ‘Trust yourselves. If you think it works, do it. … See if you can surprise [the audience] again.’”

Cidre predicted fans will be eager to see what happens to the Ewings after they lose one of their own. “New things are going to happen. There’s going to be new blood. There’s going to be new conflict. … You can’t just keep playing the same conflicts over and over again,” she said.

The two-hour finale will find “pretty much all” the characters in physical jeopardy, Cidre said. The first hour is more action-packed, while the second hour wraps up the year’s storylines before concluding with what she called “our biggest cliffhangers of all time.”

More “Dallas” dish from Cidre:

• On preparing for a fourth season: Although TNT hasn’t renewed “Dallas” for another season, the show’s writers are back at work crafting storylines in case the series gets picked up. Cidre has delivered a 60-page “bible” outlining the new storylines to TNT and Warner Bros., and the first few scripts have been written. If TNT decides to bring the show back, Cidre said the network will probably announce the renewal in October, and cameras will start rolling about six weeks later. “We still have our building, we have our stages, we’re paying rent. We just don’t have an official pickup,” she said.

• On possible fourth-season airdates: Cidre’s writing team has been told to prepare another 15-episode split season. If “Dallas” is renewed, she expects the show to follow the same schedule it did this year, with eight episodes beginning in mid-February, followed by a break and the year’s final episodes starting in August.

• On “Dallas’s” Monday time slot: Although many fans wish TNT would move “Dallas” to a less competitive night, Cidre said she doesn’t mind airing on Mondays. However, she wishes “Dallas” could follow “Major Crimes” or another one of TNT’s popular dramas. “Because our show is sexier, we do get a slightly different demographic. It would help to have a lead-in,” Cidre said.

Which Ewing will die during “Dallas’s” two-hour season finale on Monday, September 22? Share your predictions below and read more news from Dallas Decoder.

Filed Under: News, News Tagged With: Brave New World, Cynthia Cidre, Endgame, Jesse Metcalfe, Larry Hagman, Linda Gray, TNT, Which Ewing Dies?

Critique: TNT’s ‘Dallas’ Episode 38 — ‘Boxed In’

September 18, 2014 by Chris Baker 8 Comments

Ann Ewing, Boxed In, Brenda Strong, Dallas, TNT

Mama’s here

No one who watches “Boxed In” will forget the scene where Ann, Harris and Judith are overcome with grief after hearing Luis fire the gun he’s been holding at Emma’s head. It’s the most harrowing moment I’ve witnessed on television since last year, when Walter White abducted his infant daughter while his wife kicked and screamed and tried in vain to stop him. Just as that sequence demonstrated how far “Breaking Bad’s” antihero had sunk, the moment of crisis on “Dallas” reveals new things about its characters, including the depth of Ann and Emma’s bond, Harris’s capacity for compassion and — the biggest surprise of all — the discovery that Judith Ryland is a human being. Who knew?

The “Boxed In” scene begins when Luis, who’s holding Ann and Emma hostage in a Mexican “kill house,” receives a phone call and learns the Rylands aren’t adequately honoring their deal with the drug cartel. Luis erupts in anger and yanks Emma off the sofa as Ann struggles to hold onto her. While another thug detains Ann, Luis drags Emma to the basement, where he dials Judith’s number with one hand and holds a gun to Emma’s head with the other. Luis and Judith exchange recriminations, he cocks his gun, Judith begs for mercy, Emma pleads for her life, and then: Bang! Ann screams and Judith collapses into Harris’s arms, and then we return to the basement, where we see Emma is still alive; Luis merely put a bullet in the wall.

Another “Dallas” fake-out? Yes, and what a relief. Besides delivering fresh insight into these characters, the sequence is an impressive technical achievement for director Rodney Charters. Consider the complexities: The scene involves five characters in three settings (Luis and Emma in the basement, Ann upstairs, Harris and Judith back in Dallas), and yet Charters manages to unite all of them in a single, terrifying moment. When I interviewed Charters recently, he told me this episode contained a scene he regards as one of his proudest “Dallas” achievements. I suspect this is the one he was referring to.

The “execution” scene is also a triumph for the five actors, beginning with Brenda Strong, whose scream after the gunshot is painfully real, and Mitch Pileggi, who quietly, movingly mutters “damn you” when Harris believes his daughter is dead. (Is he chastising Luis or himself)? Also impressive: Antonio Jaramillo, who goes from charming at the beginning of the episode to downright evil in this scene; Judith Light, who makes you feel her character’s anguish; and Emma Bell, who is heartbreaking at every turn. It’s especially touching to see Emma reach for Ann and call her “mom” when Luis pulls her into the basement, and I love Emma and Ann’s reunion after the ordeal, when Strong sits on the basement floor and rocks Bell in her arms. In an episode about the “Dallas” characters forming unlikely alliances, nothing can match the power of seeing Ann and Emma finally become mother and daughter.

Many other scenes in “Boxed In” are thrilling too, especially when Patrick Duffy’s character is involved. How can you not love seeing the cartel thug approach Luis and announce — somewhat nervously — that “Bobby Ewing is here.” For longtime “Dallas” fans, no four words could be more reassuring. Yes, Bobby’s scheme to win Ann and Emma’s release by bringing a train full of drugs into Texas makes his plot to frame Cliff Barnes for murder seem quaint, but no matter. Bobby will always be our hero, and Duffy has mastered the art of playing a good guy who’s also a badass. In “Boxed In’s” last scene, when Luis greets Bobby by pointing out how risky it is for him to come to the kill house, Duffy squints his eyes and coolly responds: “Well, you seem like a nice enough fella.” Could Eastwood have delivered that line any better?

I also like how Bobby deftly manipulates Luis, pressuring him to accept his drug train offer by playing on his insecurities. “You can continue to hold the women if you want, or you can be smart and show your boss that you were the one who could amass a giant fortune in one night,” Bobby says. Does he know Luis is envious over the favoritism shown toward Nicolas by the Mexican godfather El Pozolero? Or has experience taught Bobby that in any family-run business, there’s always a jealous brother lurking about? Duffy’s other great moment comes when Judith approaches Bobby on the airport tarmac, takes his hand, and says, “Emma is all I have. Thank you.” Duffy plays the moment beautifully, becoming a stand-in for the audience. He’s as surprised as we are to learn Judith is human.

“Boxed In” comes from scriptwriter Gail Gilchriest, whose previous third-season effort, “Playing Chicken,” also found Bobby saving the day. This time around, Gilchriest gives Pamela a heroic role too. She travels to Las Vegas and persuades Nasir, the sheik’s son, to give the Ewings a huge loan so they can buy up the divisions of their company being dumped by the cartel. Julie Gonzalo is wonderfully crisp in this scene, which contrasts nicely with Pamela’s previous Las Vegas visit, when she played the dutiful wife who hovered in the background while her husband was wheeling and dealing with the sheik. (One gripe: Why does Pamela tip her hand and tell John Ross she’s planning to take him for everything he’s worth? It reminds me of the time Sue Ellen revealed the details of her plan to divorce J.R., allowing him to undermine her efforts. In another Sue Ellen-esque move, Pamela sets up house inside Elena’s cottage, recalling all the times Linda Gray’s character moved across the hall from J.R. during their marital crises.)

There’s a lot more to like about “Boxed In,” including the cinematic scope in several shots and the episode’s skillful use of color, particularly the way the golden hues in the exterior Mexican shots contrast with the black and faded browns inside the kill house. I also love the handheld camerawork, which heightens the frenetic pacing and sense of urgency. And despite the heavy drama, this episode isn’t without its light touches, beginning with the scene where John Ross strides into Bobby’s den and finds none other than Harris Ryland standing there, helping the Ewings plot their rescue of Ann and Emma. You can hardly blame John Ross for being surprised; Harris never makes it past the driveway when he comes to Southfork.

I doubt the alliance between the Ewings and the Rylands will last, which is too bad in light of TNT’s promo this week for “Dallas’s” two-hour third-season finale. Now that we know the Ewings are about to experience another death in the family, they’re probably going to need all the friends they can get.

Grade: A

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Good guy/badass

‘BOXED IN’

Season 3, Episode 13

Telecast: September 15, 2014

Audience: 1.86 million viewers on September 15

Writer: Gail Gilchriest

Director: Rodney Charters

Synopsis: When Harris tells Bobby that Ann and Emma are being held hostage, Bobby comes up with a plan to appease the cartel: He persuades his fellow railroad commissioners to approve an emergency training exercise that will allow the cartel to bring a trainload of drugs into Texas undetected. Bobby goes to Mexico to pitch the deal to Luis, who accepts the offer but says he’ll free only one of his hostages. Meanwhile, when the cartel begins selling off Ewing Global’s divisions, John Ross and Pamela join forces and persuade Nasir to loan them the money they need to purchase the divisions in exchange for a piece of the Arctic leases. After Nicolas confesses his cartel connection to Elena, Lucia receives the photographs her private eye snapped of Nicolas and Elena together. Later, Lucia agrees to tell Christopher where her husband and Elena are.

Cast: Deke Anderson (Bill Weathers), Emma Bell (Emma Ryland), Jordana Brewster (Elena Ramos), Angélica Celaya (Lucia Treviño), Eduardo DeLeon (Raoul), Juan Pablo Di Pace (Nicolas Treviño), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Antonio Jaramillo (Luis), Judith Light (Judith Ryland), Jesse Metcalfe (Christopher Ewing), Gino Anthony Pesi (George Tatangelo), Mitch Pileggi (Harris Ryland), Pete Partida (Jacobo), Brenda Strong (Ann Ewing), Steve Uzzell (Riley Shelton), Pej Vahdat (Nasir Ali)

“Boxed In” is available at DallasTNT.com, Amazon and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (TNT), Opinion Tagged With: Antonio Jaramillo, Brenda Strong, Emma Bell, Gail Gilchriest, Judith Light, Julie Gonzalo, Linda Gray, Mitch Pileggi, Patrick Duffy, Rodney Charters, TNT, Which Ewing Dies?

‘Which Ewing Dies?’ Here Are Three Possible Scenarios

September 16, 2014 by Chris Baker 116 Comments

“Dallas” has thrown viewers for a loop with the promo for next week’s two-hour season finale, which declares, “One Ewing will die!” Who will it be? I have no idea, but that won’t stop me from trying to figure it out. Here are three possibilities:

1. A “main” Ewing dies. In the promo, when the the looming death is announced, shots of five characters flash onto the screen: Bobby (Patrick Duffy), Sue Ellen (Linda Gray), John Ross (Josh Henderson), Christopher (Jesse Metcalfe) and Ann (Brenda Strong).

It’s hard to believe “Dallas” will kill off any of these people, each of whom brings something valuable to the series. The “safest” Ewings would seem to be Bobby and Sue Ellen, two beloved figures from the original “Dallas,” and John Ross, who’s become a fan favorite on the new show. Ann has a loyal following too, and her character offers an important link to the Rylands, who are now prominent players in the “Dallas” universe.

By my reckoning, this leaves Christopher as the likeliest candidate to die among the five Ewings shown in the promo. Losing Metcalfe would be a shame since Christopher is “Dallas’s” most upstanding character, fulfilling the role Bobby once played on the original series. (Bobby is still a hero, but now that he’s running drugs for the cartel, he’s also a little morally compromised, don’t you think?)

On the other hand: TNT’s original concept for “Dallas” — John Ross and Christopher clashing in the foreground while J.R. and Bobby battle in the background — changed after Larry Hagman died. Increasingly, the central conflict within the Ewing family is the generational struggle between John Ross and Bobby, leaving Christopher an odd man out.

So if forced to guess which one of these Ewings might head to the Big Southfork in the Sky, I’ll go with Christopher — although make no mistake: I hope it doesn’t come to that.

2. Another main character dies. What if “Dallas” plans to kill off Pamela (Julie Gonzalo)? She’s still a Ewing via her marriage to John Ross, although she made a big deal of declaring herself a Barnes in “Boxed In,” this week’s episode. If you stretch the definition of “Ewing,” another candidate emerges: Emma (Emma Bell), stepdaughter to Bobby, stepsister to Christopher and stepcousin to John Ross. That’s about as close as you can get to being a Ewing without actually being one.

Or consider this: What if there’s a come-from-out-of-nowhere revelation that Harris or Judith (Mitch Pileggi, Judith Light) are Ewing kin? Or what if Nicolas (Juan Pablo Di Pace) turns out to be a bastard son of J.R.? Don’t roll your eyes. This is “Dallas” we’re talking about.

Nevertheless, my choice among this crop of candidates is Elena (Jordana Brewster). She isn’t a Ewing, but that doesn’t mean things won’t change during the course of the two-hour season finale. Suppose Christopher and Elena have a quickie wedding, only to have the happy occasion end tragically when she’s killed by the cartel? Not only would this be a shocking twist, it would also echo one of the most memorable moments from the original show’s later years: the murder of Bobby’s bride April (Sheree J. Wilson) during their Parisian honeymoon.

And just so we’re clear: I’m not one of the “Dallas” fans clamoring for the elimination of the Ramos family. I like Brewster, although I wonder where her character can go after she waged war against the Ewings this season. If Elena has reached the end of the line, will the show get rid of her by killing her off?

3. An off-screen Ewing dies. Just because the promo suggests a Ewing will die next week, we shouldn’t assume the victim will be someone from the TNT series. What if it’s a character from the original series? There are several choices among the extended family, including Lucy, Gary, Val and Cally, as well as Ray and James, who are Ewings by blood, if not name.

Here’s one potential scenario: We lose Gary, setting up a fight between Bobby and John Ross for his portion of the Southfork mineral rights. Another possibility: Suppose Ray dies off-screen — perish the thought! — paving the way for the show to introduce an adult version of Lucas, Bobby’s son, whom Ray and Jenna raised?

Indeed, if “Dallas” is going to kill off a character from the old show, the death will have to serve the storyline on the new series. Otherwise, what’s the point?

Something else to keep in mind: I’m the guy who figured Cliff really did kill J.R. What the hell do I know?

Who do you think will die? Share your theories below and read more posts on Dallas Decoder’s “Which Ewing Dies?” page.

Filed Under: Features, Features Tagged With: Boxed In, Brave New World, Brenda Strong, Emma Bell, Endgame, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Juan Pablo di Pace, Judith Light, Julie Gonzalo, Larry Hagman, Linda Gray, Mitch Pileggi, Patrick Duffy, TNT, Which Ewing Dies?

The Dal-List: Classic ‘Dallas’s’ 13 Most Harrowing Kidnappings

September 15, 2014 by Chris Baker 6 Comments

Ann Ewing, Boxed In, Brenda Strong, Dallas, Emma Bell, Emma Ryland, TNT

Your turn, Annie

The Ewings discover Ann and Emma (Brenda Strong, Emma Bell) have been kidnapped in “Boxed In,” TNT’s latest “Dallas” episode. Fortunately, our favorite TV family has plenty of experience dealing with this kind of thing. Here’s a look at the 13 most harrowing kidnappings from the original series.

Charlene Tilton, Dallas, Greg Evigan, Lucy Ewing, Willie Gust

Far out!

13. Lucy (1978). When the Ewings refused to let Valene come to Lucy’s birthday party, Lucy ran away from Southfork and hitched a ride with Willie Gust (Greg Evigan) — and who can blame her? Willie had the tightest jeans, the most feathery hair and the grooviest custom van in Texas, right down to the wall-to-wall fake-fur carpeting. Too bad Willie was also a lunatic who ended up taking Lucy (Charlene Tilton) on a cross-Texas crime spree. Bobby rescued her, of course, but we never found out what happened to Willie. Was he really as psychotic as he seemed? Or were those jeans merely cutting off the circulation to his brain?

J.R. Duncan

12. John Ross (1979). Hey, remember when Sue Ellen nipped a little too much from her “special bottle” of Scope, escaped from the sanitarium, wrecked her car and gave birth to John Ross? And remember how Priscilla Duncan (Sheila Larken) quietly snatched the baby from the hospital? And then remember how happy we all were when Pam figured out what happened and reunited J.R. and Sue Ellen with their son? Well, hindsight being what it is, am I the only one who now thinks John Ross might have been better off with Ms. Duncan? Sure, she was nuts, but think of all the daddy issues the kid would’ve avoided.

Who shut up J.R.?

11. J.R. Ex-mobster Joseph Lombardi wanted answers when his son Nick Pearce plunged to his death after tussling with J.R. (Larry Hagman) on a high-rise balcony, so Lombardi sent his goons after our hero. They bound and gagged J.R. and brought him to a cheap motel, where Lombardi grilled him about the night Nick died. J.R. insisted it was all an accident — and fortunately Sue Ellen confirmed his account, prompting Lombardi to release him. It was cool to see Hagman act opposite the great Joseph Campanella, and we have to give Lombardi props for stand up to ol’ J.R. But would I want to see him kidnapped again? Fahgettaboudit.

Cuff him if you can

10. Bobby. “Dallas” has given us a lot of credibility-stretching storylines over the years (cough, cough Haleyville), but you know what I’ll never believe? I’ll never believe that Bobby James Ewing (Patrick Duffy) — that strapping, hunk of Grade A Texas beefcake — could be outmuscled by the clowns who kidnapped him during the middle of the show’s second season. For goodness sakes, Bobby is the kind of guy who can take on a barroom full of drunk cowboys and walk away without a scratch. The only thing more ridiculous than seeing him abducted is seeing the Ewings turn to Cliff Barnes to rescue him!

Darlin’ detained

9. Sue Ellen. Oh, for the love of Pete. Sue Ellen, what have you gone and done now? Did you really allow that creep B.D. Calhoun to slip you a mickey so he could photograph himself with you and send the pictures to J.R.? Didn’t you learn not to trust strange men during Pam’s dream the previous season? Actually, even though Sue Ellen should have known better, this subplot marked the beginning of a turning point in her marriage: Once J.R. vanquished Calhoun, he felt so bad about what happened to his family, he finally kicked that Winger tramp to the curb. Hmmm. On second thought, maybe Sue Ellen knew what she was doing all along.

Welcome to the jungle

8. Pam. When an old back injury flared up during “Dallas’s” ninth season, Victoria Principal took a break from the show, leaving the writers scrambling to explain her absence. Their solution? Have Pam kidnapped by jungle mercenaries, of course! The subplot proves surprisingly effective, especially when we see Cliff’s determination to rescue his sister. (Their reunion after the bad guys release her is one of many great scenes between Principal and Ken Kercheval.) Looking back, I can’t help but wonder: Why couldn’t “Dallas” come up with a good storyline to explain Principal’s absence when she left the show for good two years later?

Dallas, Daniel Pilon, Jenna Wade, Priscilla Beaulieu Presley

Take her. Please.

7. Jenna. When Jenna (Priscilla Beaulieu Presley) fled Dallas on the day she was supposed to marry Bobby, she left behind a note that explained she had fallen in love with someone else and was running away. Except that wasn’t true: Jenna’s ex Renaldo Marchetta (Daniel Pilon) had kidnapped her and forced her to pen the letter to throw the Ewings off their trail. When this storyline aired during the winter and spring of 1985, I spent weeks on the edge of my seat, anxious to see how it would turn out. Little did I know things would end on such a tragic note, when Dreadful Jenna™ returned to Southfork. Oh, the humanity!

B.D. Calhoun, Dallas, Hunter von Leer, John Ross Ewing, Omri Katz

Captive audience

6. John Ross (1986). Here we go again. After B.D. Calhoun (Hunter von Leer) kidnapped and released Sue Ellen, he set his sights on John Ross (Omri Katz), J.R. and Sue Ellen’s son. Calhoun snatched the kid from a hotel pool in Los Angeles, where J.R. and Bobby sent their wives and boys to protect them from the threat Calhoun posed. The crazed mercenary forced little John Ross to make a hostage tape, which turned Sue Ellen into a blubbering mess when she watched it. Fear not, honey: The Ewing brothers eventually rescued John Ross, who would grow up to star alongside Emma Ryland in a much different kind of video.

Gagged, reeling

5. Lucy (1982). Well, what do you know? Lucy’s been kidnapped yet again. This time, the culprit is Roger Larson, the photographer who helped turn her into Texas’s tiniest top model. Unlike most of the other kidnappings on this list, Roger didn’t abduct Lucy for ransom or revenge — he was obsessed with her. He kept the Ewing heiress locked in a room plastered with the pictures he took of her. (Do stalkers do this in real life, or only on TV?) Bobby and Pam eventually rescued Lucy, but not before Pam told off Roger in one of Principal’s best scenes. Gee, like Sue Ellen, maybe Lucy should’ve gotten kidnapped more often too.

Joan Van Ark, Knots Landing, Valene Ewing

Feet first

4. Lucy (Early 1960s). Lucy’s first kidnapping is an integral part of “Dallas” lore. It’s mentioned in the first episode, when Lucy recalls how J.R.’s “old boys” snatched her from Valene’s arms when she was a baby and brought her to Southfork to be raised by Jock and Miss Ellie. We finally saw the kidnapping in a “Knots Landing” flashback, where we learned the ugly mess probably could’ve been prevented: No, I’m not referring to the fact that Lillimae refused to let Val (Joan Van Ark) into her shack when J.R.’s henchmen were chasing her. I’m talking about the fact Val was barefoot when she was trying to outrun them. Good grief, Val. Buy some shoes.

Dallas, John Ross Ewing, Linda Gray, Sue Ellen Ewing, Tyler Banks

Carry on

3. John Ross (1981). When Sue Ellen and John Ross went to live at the Southern Cross, J.R. was determined to get his boy back. He saw an opportunity when Sue Ellen took the child with her to Kristin’s funeral in New Mexico. Mother and son were gliding through a Love Field terminal when two of J.R.’s thugs approached. While one man distracted Sue Ellen, the other snatched the child. Suddenly, Dusty Farlow and a trio of Southern Cross cowboys swarmed the dude holding John Ross. “Give us the boy,” Dusty demanded — and of course the guy did. This might have been “Dallas’s” briefest abduction, but wasn’t it exciting!

Barbara Bel Geddes, Dallas, Miss Ellie Ewing

Trunk show

2. Miss Ellie. Look everybody, Donna’s here! What’s wrong, Donna? You seem upset. What’s that, you say? Jessica called Dusty and told him Clayton’s wedding to Miss Ellie (Barbara Bel Geddes) is off? And then Jessica knocked you out with the phone? And then she stole your car? And then she took Mama?! Geez, Donna, couldn’t you have given us that last bit of information first? No matter. Between Susan Howard’s pained delivery and Richard Lewis Warren’s tension-building score, the scene where the Ewings discover Mama has been abducted by loony tune Jessica is positively thrilling — even if Donna did bury the lede.

Grand theft auto

1. April. Every abduction on this list ends happily for the victim — except this one. The original “Dallas” kicked off its final season with the kidnapping of April (Sheree J. Wilson) during her Parisian honeymoon with Bobby. The storyline was a little complicated — the culprit was Hillary Taylor (Susan Lucci), a mystery woman who took April so she could assume her identity and make a big speech at an OPEC conference — and yet it was also a dramatic thrill ride. Fans expected Bobby to get his bride back by the time all was said and done — and so imagine our surprise when she was gunned down at the conference. It was a hell of a way to start the original show’s last season, telegraphing to the audience that this would be the year anything could happen on “Dallas” — and damn near did.

Which kidnapping did you find most harrowing on “Dallas”? Share your thoughts below and read more “Dal-Lists.”