TNT’s Dallas Recap: ‘D.T.R.’

Bobby Ewing, Dallas, D.T.R., Linda Gray, Patrick Duffy, Sue Ellen Ewing, TNT

Ewings united

Here’s what happened in “D.T.R.,” TNT’s latest “Dallas” episode:

• Sue Ellen struck back (part 1): Sue Ellen (Linda Gray) visited Governor McConaughey (Steven Weber) and gave him a bottle of J.R. Ewing Bourbon, hoping it would persuade him to replace Stanley Babcock, the corrupt railroad commissioner, with an appointee who would agree to revoke John Ross’s Southfork drilling permit. Of course, the wily McConaughey was in no mood to grant Sue Ellen a favor and rejected her suggestion. Dumb move, governor: It turned out Sue Ellen had bugged the bottle, which allowed her and Bobby (Patrick Duffy) to eavesdrop on McConaughey’s conversations — including one with Babcock (Currie Graham), who promised to illegally funnel money to the governor’s 2016 presidential campaign. “The bug in the bourbon cork. I think J.R. would see the humor in that,” Bobby said.

• Sue Ellen struck back (part 2). After John Ross and Pamela (Josh Henderson, Julie Gonzalo) returned from their honeymoon, Sue Ellen told her son to stop cheating on his wife, but he paid Sue Ellen no heed. “This is all about you wanting to punish J.R. for the way he treated you. Well, guess what, Mama? I’m not J.R.,” John Ross said. Dumb move, junior: Once Sue Ellen played McConaughey her recording of his conversation, he agreed to replace Babcock with a new railroad commissioner — Bobby. (Said the governor upon discovering Sue Ellen’s scheme: “This is why politicians should never accept gifts — especially gifts with J.R.’s name on them.”) Sue Ellen let her son know she was behind the appointment when she sent him a text message that read, “I couldn’t look the other way.” He responded in kind, leaving her a nasty voice mail message in which he shouted, “Now I know I’ve got another enemy I’ve got to look out for. I ain’t going to forget this.”

• Emma gained the upper hand against Judith. John Ross returned from his honeymoon with a gift for his mistress: a necklace, which he gave to Emma (Emma Bell) during one of their clandestine meetings in her bedroom. When Ann (Brenda Strong) saw the jewelry, she and Emma got into a fight and Ann kicked her off the ranch. But Emma wasn’t down for long: She told Judith (Judith Light) she knows all about her prostitution business and used the information to blackmail Grandma into agreeing to give John Ross control of Ryland’s ships for his Arctic drilling venture. After Judith gave her granddaughter some advice (“Never let a man screw you for nothing”), Emma told John Ross she wants a piece of the “Arctic play,” but that’s probably the least of his worries: Judith, fuming over being blackmailed, let Harris know she was frustrated with the slow pace of his scheme to frame John Ross for a sex crime. “How hard is it to get that Ewing boy to drop his pants?” Judith asked.

• Harris gained the upper hand against the CIA. After Ann told Harris that Emma left the ranch, he worried for his daughter’s safety and told CIA agent George Tatangelo (Gino Anthony Pesi) that he wanted out of the agency’s sting operation against the Mendez-Ochoa drug cartel. Tatangelo told Harris it was too late to walk away (“You bought the ticket. You take the ride.”), so Harris threatened to expose expose the illegal “black ops” operations Tantangelo has been conducting on the side. “If you won’t stop the ride, the least you can do is re-route some of those resources and get my family a little extra protection,” Harris said. Meanwhile, Harris and Ann continued to soften toward each other during their search for Emma, who eventually came home to Southfork and told Ann she would stop seeing John Ross — a promise Emma had no intention of keeping.

• Elena and Nicolas got a clue. Pamela was unsettled to see Candace (Jude Demorest) flirting with John Ross, but that was nothing compared to the distressing phone call she received from Cliff (Ken Kercheval), who tried unsuccessfully to mend fences with her. Cliff realized his daughter believes he really did kill J.R., and so he huddled with Elena and Nicolas (Jordana Brewster, Juan Pablo Di Pace) and urged them to tell Pamela the truth. “Turn her against John Ross and she will help you get your justice … and mine,” Cliff said. He also warned Elena to keep an eye on Nicolas. Meanwhile, Nicolas persuaded Peter Bedford (Todd Terry), the state’s attorney whom J.R. once blackmailed, into showing him and Elena the files from the Mexican police’s investigation into J.R.’s murder. While examining the autopsy photos, Nicolas noticed an unusual incision on J.R.’s body.

• Christopher grew closer to Heather — and clashed with John Ross. Christopher and Heather (Jesse Metcalfe, AnnaLynne McCord) grew closer, and he learned her secret: She was once married to Bo (Donny Boaz) and the two of them have a young son, Michael. Christopher and the boy bonded over Transformers when they met, but Bo made it clear he doesn’t think much of Christopher. Or maybe Bo was just stressed because John Ross, his boss at the Southfork drilling site, has been riding the crew so hard. Buckle up, Bo, because things aren’t going to get any easier: After John Ross found out about Bobby’s new position on the railroad commission, he vowed to keep fighting until he taps the oil under the ranch. As John Ross told Bobby and Christopher, “You want to build a roadblock between me and drilling Southfork? Go ahead. If I’m as bad as my father ever was, then I’ll blow right past it.”

What did you think of “D.T.R.”? Share your comments below and look for Dallas Decoder’s critique later this week.

Dallas Burning Questions: Season 3, Week 5

AnnaLynne McCord, Bo McCabe, Christopher Ewing, Dallas, Donny Boaz, D.T.R., Heather, Jesse Metcalfe, TNT

Mystery girl

Here are the questions we’re pondering as we await tonight’s telecast of “D.T.R.,” TNT’s latest “Dallas” episode:

What will Sue Ellen do about John Ross? “Lifting the Veil,” last week’s episode, ended with John Ross riding high: He secured a permit to drill on Southfork and then exchanged vows with Pamela (Julie Gonzalo) during a lavish wedding ceremony. Not even his meddling mama could get in his way, although she tried: Moments before the nuptials, Sue Ellen (Linda Gray) confronted John Ross over his infidelity and threatened to tell Pamela that he’s a cheater, but he brushed aside Sue Ellen’s concerns and cruelly pointed out the smell of alcohol on her breath. Maybe John Ross should have been nicer: During the reception, when Bobby (Patrick Duffy) told Sue Ellen he doesn’t “have a move left” to stop her son from drilling the ranch, Sue Ellen responded, “But I do.” What’s she planning?

What will Harris do about John Ross? To obtain his drilling permit, John Ross was forced to strike a deal with Harris (Mitch Pileggi). It began when Harris summoned John Ross to an upscale brothel, where John Ross found railroad commissioner Stanley Babcock (Currie Graham) engaging in some kinky sexual fetishes. Once John Ross had the dirt he needed to blackmail Babcock and secure his permit, he agreed to give Harris a flash drive from the files Emma stole from Harris’s safe. But Harris wants all his files back, so he revealed to Judith (Judith Light) — who turned out to be the madam in charge of the brothel, by the way — his latest scheme: Harris plans to frame John Ross for a sex crime with help from Candace (Jude Demorest), John Ross’s flirtatious secretary, who is secretly working for the Rylands. Will the plot work?

What will Emma do about John Ross? Before the wedding, John Ross attacked Emma (Emma Bell) for spoiling Pamela’s plan to surprise him with sexy lingerie, calling his mistress “an attention-starved little brat.” He was forced to apologize when he needed Emma to retrieve the flash drive for his blackmail scheme, but she still seemed upset, especially during the wedding ceremony. Later, Emma cried in bed alone while John Ross and Pamela were in a hotel room, beginning their honeymoon. Emma is unlikely to get any sympathy from Sue Ellen, who urged Ann (Brenda Strong) to kick her daughter off Southfork, a suggestion Ann rejected because of the lingering threats against Emma from Harris’s drug-dealing business partners. Will Emma continue to pursue John Ross, or will she find a new way to cause trouble?

What will happen to Elena and Nicolas? In Mexico, Drew (Kuno Becker) overheard Christopher’s conversation with Lucia (Angélica Celaya), who confirmed that Nicolas isn’t her husband’s real name but said he has nothing else to hide. Christopher (Jesse Metcalfe) returned to Southfork and told Elena (Jordana Brewster) that Nicolas was married, but Elena insisted he was divorced. Later, Nicolas admitted to Elena his divorce isn’t exactly final yet, but he assured her it will eventually be settled. Of course, it turned out Nicolas spoke too soon: Lucia arrived in Dallas and blackmailed her husband into reconciling with her. “The Ewings are determined to know who you really are. If you don’t do as I say, I’ll tell them what you owe and who you owe it to,” Lucia said. What does that mean?

What will happen to Christopher and Heather? After John Ross and Pamela’s wedding reception, Christopher ran into Heather (AnnaLynne McCord) in the barn, where they made love. The audience still doesn’t know a lot about Heather, except that she works as a Southfork ranch hand and has four brothers; we also know from recent press reports that she’s a divorcee and single mom. Meanwhile, the “D.T.R.” publicity photo above shows Christopher and Heather speaking to ranch-hand-turned-roughneck Bo (Donny Boaz), with whom she briefly tangled in the third-season premiere, “The Return.” What’s her connection to Bo, and what else might we find out about her?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

TNT’s Dallas Recap: ‘Lifting the Veil’

Dallas, Julie Gonzalo, Lifting the Veil, Pamela Rebecca Barnes Ewing, TNT

If only she knew

Here’s what happened in “Lifting the Veil,” TNT’s latest “Dallas” episode:

John Ross blasted Emma. On the morning of his wedding to Pamela, John Ross (Josh Henderson) received a call from his secretary Candace (Jude Demorest), who told him Stanley Babcock, the railroad commissioner who denied his drilling permit, was willing to see him. John Ross dashed off to the meeting, but not before blasting Emma (Emma Bell) for spoiling Pamela’s plan to surprise him with sexy lingerie. “You may screw like a woman, but you act like an attention-starved little brat,” he said, leaving Emma seething.

Harris and John Ross cut a deal. When John Ross arrived for his meeting with Babcock, he was surprised to find Harris (Mitch Pileggi) waiting for him instead. Harris offered him a deal: If John Ross agreed to return the top-secret Ryland files, Harris said he would help John Ross get his permit from Babcock. After some haggling, John Ross agreed to return only one item from Harris’s files: a flash drive that Harris covets above all else. After John Ross met with Emma and sweet-talked her into agreeing to give up the flash drive, he was summoned by Harris to an upscale brothel, where Babcock (Currie Graham) was indulging in his kinky fetishes with a prostitute dressed like a dog. John Ross interrupted Babcock and persuaded the humiliated man to give him the drilling permit.

This left John Ross and Harris with nothing to do but wait around the brothel for Bum to retrieve the flash drive from Emma and bring it them. Harris killed the time by presenting John Ross with a wedding present: the “company” of two prostitutes who were all too eager to please John Ross. But before anything serious happened, Bum (Kevin Page) showed up with the flash drive and gave John Ross a stern look. “You’re flying mighty close to the sun with all this,” Bum said.

Sue Ellen clashed with Afton — and John Ross. Back at the ranch, the wedding guests began arriving, including Lucy and Ray (Charlene Tilton, Steve Kanaly), who couldn’t help but notice John Ross was nowhere to be seen. Pamela (Julie Gonzalo) noticed too and grew increasingly anxious, while Sue Ellen (Linda Gray), upset over her son’s infidelity, took a nip from her flask. The tension finally erupted when Afton (Audrey Landers) turned to Sue Ellen and snapped, “All the despicable things J.R. did to you through the years. You’d think you’d have taught your son better than this.” Sue Ellen’s cutting response: “Just so you know, Afton, the most despicable thing J.R. ever did was you.” Poor Ann (Brenda Strong) had to referee.

But the drama was just beginning. Once John Ross arrived, Sue Ellen finally confronted him over his affair with Emma, but he told his mother the relationship was his business. Sue Ellen refused to back down and threatened to tell Pamela everything, but John Ross pointed out how his mother’s breath smelled of liquor and said, “You have looked the other way your whole life, Mama. One more time’s not going to hurt.”

John Ross and Pamela exchanged vows. After Afton slapped John Ross on the back of his head for going AWOL, he urged Pamela to forgive him. “We are meant for each other. I know that with every cell of my being. OK? I’ll prove it to you. I just need you to give me the chance,” he said. She agreed and went through with the ceremony, but before the couple sped off in Ewing V for their honeymoon, John Ross let Bobby (Patrick Duffy) know that Babcock promised him the drilling permit. “I’ll give you credit, John Ross, you are more and more like your daddy every day. But he never drilled this ranch. And mark my words: neither will you,” Bobby said.

But Bobby wasn’t nearly as confident in private. After blasting Babcock over the phone, he turned to Sue Ellen and told her he doesn’t “have a move left” to stop John Ross from drilling. Sue Ellen’s response: “But I do.”

Christopher and Elena continued to move on. In Mexico, Drew (Kuno Becker) overheard Christopher’s conversation with Lucia (Angélica Celaya), who confirmed that Nicolas isn’t her husband’s real name but said he has nothing to hide. Christopher (Jesse Metcalfe) returned to Southfork and confronted Elena (Jordana Brewster), who said Nicolas is getting a divorce. “For someone who needed an annulment before marrying me, you seem pretty cavalier about playing around with a married man,” Christopher said. Elena’s response: “I’m not playing around. I’m playing him.”

Later, Christopher and Heather (AnnaLynne McCord) made love in the barn, while Nicolas (Juan Pablo Di Pace) assured a rattled Elena that his marriage is indeed over. But this turned out to be not so true: Lucia arrived in Dallas and blackmailed her estranged husband into reconciling with her. “The Ewings are determined to know who you really are. If you don’t do as I say, I’ll tell them what you owe and who you owe it to,” she said.

Harris and Judith schemed. Harris’s precious flash drive turned out to contain encrypted CIA files; once the drive was back in his possession, he was summoned to the office of the madam who runs the brothel, who turned out to be … Judith (Judith Light). When she asked how Harris planned to get the rest of the files from John Ross, Harris showed her pictures of the prostitutes trying to seduce John Ross and told his mother one of the young women is only 16. Harris suggested he was going to frame John Ross by making it look he actually had sex with the girl, but Judith couldn’t fathom how her son would accomplish that. This is when Harris introduced his mother to his secret weapon: Candace, John Ross’s secretary, who has been secretly working for Harris all along.

What did you think of “Lifting the Veil”? Share your comments below and look for Dallas Decoder’s critique later this week.

Dallas Burning Questions: Season 3, Week 4

Dallas, John Ross Ewing, Josh Henderson, Julie Gonzalo, Pamela Rebecca Barnes Ewing, Playing Chicken, TNT

Mama sees all

Here are the questions we’re pondering as we await tonight’s telecast of “Lifting the Veil,” TNT’s latest “Dallas” episode:

What will Sue Ellen do about John Ross? In “Playing Chicken,” Sue Ellen (Linda Gray) continued to plan a traditional Southfork wedding for the recently eloped John Ross and Pamela (Josh Henderson, Julie Gonzalo), even though she harbored lingering doubts about her son’s fidelity to his bride. Sue Ellen told Ann (Brenda Strong) she feared John Ross was sleeping with Emma (Emma Bell); Ann then shared Sue Ellen’s suspicions with Harris (Mitch Pileggi) and asked him to help her reign in their daughter. Meanwhile, Sue Ellen met with Bum (Kevin Page) to determine if he told her the truth about John Ross being faithful to Pamela. After Sue Ellen laid a major guilt trip on Bum, he confessed everything. “I lied to you, Sue Ellen. You were right about John Ross and Emma. I’m sorry,” Bum said. Sue Ellen’s response: “Not nearly as sorry as I am.” How will she deal with the truth about her son?

What will Judith do about John Ross? When Harris told Judith (Judith Light) that Emma and John Ross are sleeping together, Judith was nonplussed. “Good for her. John Ross is a nice-looking young man,” she said. But Judith changed her tune when Harris told her John Ross now possesses Harris’s secret files, which he said contains “unflattering” information about her. She told Harris, “I’m sure we can find something to compromise young Mr. Ewing enough to convince him to return those files. And by ‘we,’ of course I mean ‘me.’” What should worry John Ross more — the fact that Judith thinks he’s cute or the fact she wants those files back?

Will John Ross and Pamela say, “I do”? Emma seemed determined to undermine John Ross’s marriage. She buddied up to Pamela during a shopping spree and then ruined her plan to surprise John Ross with new lingerie: Emma bought the same outfit and wore it for John Ross first; when he saw Pamela wearing it, he was rattled and lost interest in having sex with his wife. Given all the turbulence in John Ross’s life, we wonder: Will his wedding to Pamela go off without a hitch?

What will Elena and Nicolas do next? Nicolas (Juan Pablo Di Pace) tracked down Rhonda Simmons (Emily Kosloski), the woman whose testimony helped convict Cliff (Ken Kercheval) of J.R.’s “murder,” and offered her $25,000 to admit she lied, but Rhonda refused to betray the Ewings. Meanwhile, Elena (Jordana Brewster) came up empty-handed when she searched for surveillance video to prove Cliff’s gun was stolen from the firing range. The setbacks frustrated Elena, but Nicolas confessed his love for her and they had sex — unaware that Christopher (Jesse Metcalfe) was digging into Nicolas’s past in Mexico, where he met a beautiful woman named Lucia (Angélica Celaya), who introduced herself as Nicolas’s wife. Should Elena continue to trust Nicolas — and should Christopher trust Lucia?

What will the Ewings do about their business? John Ross blackmailed Bo (Donny Boaz) into joining his Southfork drilling venture by threatening to expose the ranch hand’s drug-dealing past. But John Ross’s scheming was for naught: Bobby (Patrick Duffy) shut down the project when he revealed the state would refuse to issue John Ross a drilling permit because the project endangered the lesser prairie chicken, a threatened species in Texas. If the Ewings can’t tap the oil under the ranch, how will they finance their Arctic drilling plans?

Will our old favorites have much to do? John Ross and Pamela’s wedding will bring three stars from the original “Dallas” back to Southfork: Lucy (Charlene Tilton), Ray (Steve Kanaly) and Afton (Audrey Landers). When Kanaly spoke to Dallas Decoder before production on this episode began, he told us Ray and Lucy don’t have big roles in this episode, but suggested Afton will be featured more prominently. If nothing else, will we hear the divine Miss Cooper sing?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Critique: TNT’s ‘Dallas’ Episode 28 — ‘Playing Chicken’

Bobby Ewing, Patrick Duffy, Playing Chicken, TNT

Always the winner

Bobby Ewing plays two games of chicken in “Playing Chicken,” and of course he wins both. First, Bobby uses — forgive me for this — fowl means to foil John Ross’s latest scheme to drill on Southfork. Later, when Nicolas tries to prove the Ewings framed Cliff for J.R.’s “murder,” Bobby faces off against the younger man and forces him to blink first. Both scenes are a kick, reminding us how essential Patrick Duffy is to “Dallas.” They also demonstrate Duffy’s versatility; no matter what the script calls for, this man always delivers — and he always looks damn cool doing it.

The scene with John Ross opens with Josh Henderson’s character giving his crew of ranch-hands-turned-roughnecks a pep talk when a cheerful Uncle Bobby shows up toting a cage with a big bird inside. Bobby proceeds to give his ambitious nephew a lesson on the plight of the “lesser prairie chicken,” explaining how it’s an endangered species whose presence on Southfork means the government will deny John Ross’s request for a drilling permit, lest he disturb the creature’s natural habitat. John Ross fumes; Bobby smiles. “He is awful cute, though, isn’t he?” Bobby asks, motioning toward the cage.

I love this scene mostly because it’s nice to see “Dallas” lighten up, but also because it recalls all the times Bobby bested J.R. with a wink and a grin. The role of happy warrior has always suited Duffy well, and his timing here is as sharp as ever. Everyone else seems to get into the spirit too: Henderson shows he can deadpan with the best of them, while director Jesse Bochco delivers a whimsical shot of John Ross from inside the chicken’s cage. (Shades of the “horse-cam” used to shoot Emma Bell last year.) Even composer Rob Cairns has a little fun with this scene; his underscore is noticeably jauntier than usual.

Bobby’s other big scene begins with Nicolas arriving in a darkened parking lot to meet Rhonda Simmons, the club hostess whose testimony helped convict Cliff. Nicolas believes Rhonda is going to turn against the Ewings; when he finds her standing near her car, he congratulates her and tells her she’s made “the right decision.” Suddenly, the passenger door opens and out steps … Bobby, who makes it clear Rhonda isn’t changing her story after all. This would be a triumphant moment no matter which Ewing had emerged from Rhonda’s car, but the fact that it’s Bobby makes it especially satisfying. He’s always been our white knight, and frankly he’s the only Ewing with the moral authority to make framing Cliff for murder seem like the right thing to do.

But even though Patrick Duffy is the indisputable man of the hour in “Playing Chicken,” Gail Gilchriest’s terrific script ensures no one gets shortchanged. It’s especially nice to see lots of scenes with the always wonderful Brenda Strong, whose character gets to demonstrate a little personal growth. When Sue Ellen confides in Ann her fears about John Ross and Emma, I expect Ann to dismiss the suggestion outright. Instead, she says, “I know I’ve been defensive about Emma’s behavior in the past. You were right about her drug use. Maybe you’re right this time too.” Strong always makes Ann feel like one of the grownups in the room, but the job is easier when she has smart writing like this to work with.

It’s also interesting to see Ann turn to Harris to help reign in Emma. I love Duffy and Strong together, but there’s also no denying the actress’s chemistry with Mitch Pileggi. Does this scene suggest Ann is softening toward her ex-husband? Or is the show merely using Ann to smooth Harris’s rough edges? During their conversation, Ann urges Harris to come clean to Emma about his connection to the CIA; he rejects that suggestion, but he nonetheless reveals a little humility: “I never meant to put the people that I love in danger, Annie. As awful as you think I am, I do love our daughter.” Who knew the “l” word was in Harris’s vocabulary? Also, notice how he says “the people that I love.” Does that include Ann?

Other highlights: Sue Ellen’s masterful manipulation of Bum, as well as the scene where he shows up on her doorstep and confesses his deception. I’m delighted “Dallas” is exploring the relationship between these characters, not just because they have such an opposites attract charm — the uptown lady and the downtown private eye — but also because Kevin Page might be the only actor on this show who comes close to matching Linda Gray’s soulfulness. I have no idea where Sue Ellen and Bum are headed, but whether they remain friends or become something more, I hope we keep seeing a lot of scenes between them.

I’m a little less enthralled with the romance that develops in “Playing Chicken” between Elena and Nicolas, especially since we’ve been told their characters grew up thinking of each other as siblings. On the other hand, I’m more impressed than ever with Juan Pablo Di Pace: Nicolas is so suave and charming in his first two “Dallas” appearances, but in “Playing Chicken,” there are times he seems downright sinister. At the end of this episode, we learn Nicolas has a wife — Angélica Celaya makes an intriguing debut as Lucia Treviño — and I have no doubt we’re going to learn he’s hiding even more.

I also like “Playing Chicken’s” scenes of Christopher sleuthing around Mexico, as well as the fun Gilchriest has with John Ross’s complicated love life. No one delivers oh-no-she-didn’t moments better than Bell: What makes us despise Emma Ryland more, when she accompanies Pamela on the shopping trip and brags about her lover’s sexual prowess, or when she shows up at John Ross’s office wearing the same emerald corset that Pamela is planning to surprise him with? Fans are directing a lot of venom at Bell’s character on social media these days, and I hope the actress is wearing it as a badge of honor. She’s doing a fantastic job making Emma a vixen we love to hate.

I’m also left pondering the scene where John Ross rejects Pamela’s romantic overtures. Is this an attack of conscience, or is he beginning to realize Emma is dangerous? Whatever the reason, John Ross’s personal entanglements are probably going to be the least of his worries. In “Playing Chicken’s” most chilling scene, Harris tells Judith that the files in his safe — which include “unflattering” information about her — are now in John Ross’s possession. Says Judith: “I’m sure we can find something to compromise young Mr. Ewing enough to convince him to return those files. And by ‘we,’ of course I mean ‘me.’” If you were John Ross, what would make your heart drop more — hearing Judith say she wants to “convince” you of something or hearing her earlier statement that she thinks you’re “a nice-looking young man.” Shudder.

More than anything, this episode demonstrates how “Dallas” is finding a new rhythm in its third season. The first hour, “The Return,” took its time establishing the year’s themes and plotlines; the second episode, “Trust Me,” delivered the twists and turns we’ve come to expect from the TNT series (Judith does coke! Harris is CIA!); and “Playing Chicken” slows down the action once more to allow the audience to catch its breath. If the pattern holds, does that mean the next installment will be another roller coaster? I wouldn’t bet against it, especially now that we know Judith Ryland has John Ross in her crosshairs. Let the battle of the “J.R.s” begin.

Grade: A

_______________________________________________________________________________________________________________________________________________

Emma Bell, Emma Ryland, Playing Chicken, TNT

Good at being bad

‘PLAYING CHICKEN’

Season 3, Episode 3

Telecast: March 10, 2014

Audience: 1.9 million viewers on March 10

Writer: Gail Gilchriest

Director: Jesse Bochco

Synopsis: Christopher investigates Nicolas in Mexico, where he meets Lucia, Nicolas’s wife. Bobby foils John Ross’s attempt to drill on Southfork and Nicolas’s attempt to turn Rhonda against the Ewings. Later, Nicolas reveals long-hidden feelings to Elena and they have sex. Bum admits to Sue Ellen that John Ross is sleeping with Emma. When Harris tells Judith that Emma gave damaging files about her to John Ross, Judith vows to “convince” John Ross to give back the documents. Bobby promises Ann he’ll keep her and Emma safe following Harris’s revelation that he’s working with the CIA to bring down the drug cartel.

Cast: Emma Bell (Emma Ryland), Donny Boaz (Bo McCabe), Jordana Brewster (Elena Ramos), Angélica Celaya (Lucia Treviño), Juan Pablo Di Pace (Nicolas Treviño), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Ewing), Currie Graham (Commissioner Stanley Babcock), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Ken Kercheval (Cliff Barnes), Emily Kosloski (Rhonda Simmons), Judith Light (Judith Ryland), Jesse Metcalfe (Christopher Ewing), Scott Mullins (Nate), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Geoffrey Rivas (shopkeeper), Aaron Spivey-Sorrells (ranch hand), Brenda Strong (Ann Ewing), Michael Swanner (Dewey Templeton)

“Playing Chicken” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

TNT’s Dallas Recap: ‘Playing Chicken’

Dallas, Emma Bell, Emma Ryland, John Ross Ewing, Josh Henderson, Playing Chicken, TNT

Home to roost

Here’s what happened in “Playing Chicken,” TNT’s latest “Dallas” episode:

Christopher searched for the truth about Nicolas. Christopher (Jesse Metcalfe) went to the federal prison in Nuevo Laredo, where he questioned Cliff (Ken Kercheval) about his connection to Nicolas. Cliff didn’t supply any answers, but Christopher fared better when he tracked down Nicolas’s ex-business partner, whom Nicolas cheated on his rise to the top — and who told Christopher that “Nicolas Treviño” isn’t Nicolas’s real name.

Later, several armed men approached Christopher outside his hotel and brought him to Nicolas’s compound, where he met a beautiful woman (Angélica Celaya) with two small sons. When Christopher asked the woman what she knows about Nicolas, she responded: “I can tell you quite a bit. I’m Lucia Treviño, his wife.”

Nicolas and Elena searched for the truth about the Ewings. Back in Dallas, Nicolas (Juan Pablo Di Pace) tracked down Rhonda Simmons (Emily Kosloski), the woman whose testimony helped convict Cliff for J.R.’s murder, and offered her $25,000 to admit she lied. The next night, Nicolas met with Rhonda again, expecting her to talk, except she brought along a surprise guest: Bobby (Patrick Duffy), who insisted Rhonda was being honest when she implicated Cliff. “Sometimes the truth hurts,” Bobby told Nicolas.

Elena (Jordana Brewster) fared no better: She went to the firing range where Cliff used to practice, hoping to find the surveillance video that would prove his gun was stolen, only to discover the footage had mysteriously vanished. Elena felt defeated, but Nicolas assured her the two of them will ultimately beat the Ewings — and to demonstrate his dedication, he revealed long-hidden feelings for her. “I never wanted a woman more than I want you, and if you’ll allow me, I want a chance to make you happy,” Nicolas said. He and Elena kissed — and then they did much more.

Sue Ellen found out the truth about John Ross. After Sue Ellen (Linda Gray) saw Emma flirting with John Ross, she confided in Ann her suspicion that John Ross and Emma are having an affair. Ann (Brenda Strong) didn’t reject the suggestion. “You were right about her drug use. Maybe you’re right this time too,” she said. Ann later urged Emma (Emma Bell) to stop wearing skimpy bikinis around Southfork, while Sue Ellen went to work on Bum (Kevin Page) to determine if he told the truth about John Ross being faithful to Pamela.

Sue Ellen’s plan worked: After she laid a major guilt trip on Bum, he showed up on her doorstep and confessed everything. “I lied to you, Sue Ellen. You were right about John Ross and Emma. I’m sorry,” Bum said. Sue Ellen’s response: “Not nearly as sorry as I am.”

Bobby and Ann dealt with the truth about Harris. Bobby and Ann struggled to wrap their heads around the fact that Harris is secretly helping the CIA try to bring down the Mendez-Ochoa cartel. Bobby beefed up security at Southfork and told Ann that she shouldn’t worry about their family’s well-being. “You and Emma will always be safe on Southfork. Always. You can count on it,” Bobby said.

Later, while Pamela (Julie Gonzalo) and Emma went shopping for lingerie for Pamela’s honeymoon, Ann went to see Harris (Mitch Pileggi) and told him she fears their daughter is “acting out” against her father by sleeping with John Ross. Ann urged Harris to come clean to Emma about his CIA connection, but he refused. “I wish I could trust her with that, but I can’t,” Harris said. He added: “I never meant to put the people that I love in danger, Annie. As awful as you think I am, I do love our daughter.”

John Ross learned the truth about chickens. John Ross (Josh Henderson) blackmailed Bo (Donny Boaz) into joining his Southfork drilling venture by threatening to expose the ranch hand’s drug-dealing past. But John Ross’s scheming was for naught: Bobby shut down the project when he revealed the state would refuse to issue John Ross a drilling permit because the project endangered the lesser prairie chicken, a threatened species in Texas. Later, when John Ross came home after cavorting at the office with Emma and found Pamela wearing the same teddy that his mistress had been wearing, he felt an attack of conscience and headed for the shower, leaving his wife looking more than a little hurt.

This might be the least of John Ross’s problems: When Harris told Judith (Judith Light) that Emma gave John Ross the Ryland files — which Harris said contain “unflattering” information about Judith — Mama Ryland narrowed her eyes and began plotting. “I’m sure we can find something to compromise young Mr. Ewing enough to convince him to return those files,” Judith said. “And by ‘we,’ of course I mean ‘me.’”

What did you think of “Playing Chicken”? Share your comments below and look for Dallas Decoder’s critique later this week.

Love to Discuss ‘Dallas’? Join Our #DallasChat on March 11

Dallas, Juan Pablo Di Pace, Nicolas Trevino, Playing Chicken, TNT

Hiding much?

Did you enjoy “Playing Chicken,” this week’s episode of TNT’s “Dallas”? Let’s discuss it during my next #DallasChat on Twitter, which I’ll hold Tuesday, March 11, from to 9 to 10 p.m. Eastern time.

Leave your suggested questions about “Playing Chicken” in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I’ll choose one or more questions and ask them during our discussion.

If you’re new to #DallasChat, here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your answers should do the same. Please include the show’s official hashtag, #DallasTNT, in your tweets too.

Here’s a sample exchange:

Q1. Do you trust Nicolas Treviño? #DallasTNT #DallasChat

A1. No way. I bet his closet is full of skeletons. But he’s still hot as heck! #DallasTNT #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

This will be a fun chat. Don’t miss it!

Want to Help Boost ‘Dallas’s’ Audience? Here’s How

Dallas, John Ross Ewing, Josh Henderson, Julie Gonzalo, Pamela Rebecca Barnes Ewing, TNT

Promise to watch

You love TNT’s “Dallas” and want the show to be a hit, right? Here are three things fans like us can do to help the series get the big audience it deserves:

1. Watch “Dallas.” If it sounds easy, that’s because it is. TNT shows a new episode every Monday night at 9, Eastern and Pacific times, and 8, Central time. Watch it. Enjoy it. If you can’t view it “live,” set your DVR to record it and watch it as soon as you can. You can also download episodes from iTunes and Amazon.com, and if you’re a cable subscriber, you can stream them at DallasTNT.com.

Dallas, Elena Ramos, Juan Pablo Di Pace, Nicolas Trevino, TNT

Tweet for Nicolas

2. Talk about “Dallas” online. If you watch the show live, get on Twitter and tweet about it with your fellow fans. Be sure to use the hashtag #DallasTNT in all your tweets. If you want to read what other fans are saying about the show, enter #DallasTNT in Twitter’s search field and click “All” to see all the “Dallas”-related tweets.

As TV ratings expert Marc Berman told us recently, social media buzz is increasingly important to the success of series like “Dallas.” Consider this: The show’s official Twitter feed has 84,800 followers; if each one sent six #DallasTNT tweets last week, “Dallas” might have knocked AMC’s “The Walking Dead” off its perch as TV’s buzziest drama on Twitter. (“The Walking Dead” generated 439,000 tweets that were seen by 4.8 million people, according to Nielsen.)

You can also chat up “Dallas” on Facebook and other social media, where I encourage you to share my newly published list of 15 reasons everyone should be watching the show.

3. Talk about “Dallas” in real life. Never underestimate the power of good, old-fashioned word-of-mouth. If you love “Dallas,” tell your friends, neighbors, co-workers … everyone! Here’s an example of how you can weave “Dallas” into everyday conversation:

CO-WORKER: Hey, I’m going out for lunch. Can I pick you up something?

YOU: Sure, I’ll take a Coke. And when you get back, remind me to tell you how Judith Light snorted coke on “Dallas” last week.

You get the idea.

So hop to it, fellow fans. “Dallas” is already the best show on TV; now let’s make it the most popular.

How are you supporting “Dallas” this season? Share your comments below and read more features from Dallas Decoder.

TNT’s Dallas Styles: ‘Trust Me’

AnnaLynne McCord, Dallas, Harris Ryland, Heather, Juan Pablo Di Pace, Julie Gonzalo, Linda Gray, Mitch Pileggi, Nicolas Trevino, Pamela Rebecca Barnes Ewing, Sue Ellen Ewing, TNT, Trust Me

The crowd may have been smaller than in days gone by and no one got dunked in the pool, but there’s one area where this week’s Ewing Barbecue lived up to tradition: the clothing. The Southfork shindigs on the original “Dallas” always allowed the characters to dress a little more playfully than usual, and so did the barbecue in “Trust Me,” TNT’s latest episode.

My favorite look belonged to Linda Gray, who sported a nifty brown cowgirl hat that brought back memories of the hats Sue Ellen wore to the Southfork hoedowns of the 1980s. I also couldn’t help but smile when AnnaLynne McCord’s character, Heather, showed up at the party in that beautiful white dress; it reminded me of the simple, elegant dress Pam Ewing sported at “Dallas’s” first barbecue in 1978. I also loved how costume designer Rachel Sage Kunin paired Heather’s dress with weathered cowgirl boots; it was an ideal combination for McCord’s tomboyish character.

Juan Pablo Di Pace was the best-dressed man at the barbecue (although Jesse Metcalfe was a close second in that dark blue denim shirt). Nicolas, an out-of-town Latin American businessman, came to the party dressed just like we would expect him to: Instead of western garb, he wore a light-colored sport coat and trousers and an open-collared white shirt that strategically showcased the St. Christopher’s medal that’s so important to the character. I also loved Pamela’s blue blouse and dark pants and boots — and how gorgeous did Julie Gonzalo’s hair look under that Southfork sunshine? (Kudos, Charles Yusko!)

My other favorite wardrobe selection from “Trust Me”: the purple shirt Mitch Pileggi wore in the scene where Harris pulled a gun on Judith. Only Pileggi could make a paisley print look badass — and wasn’t it nice to finally see him in something other than the gray T-shirt he’s been wearing since the end of the second season?

What were your favorite looks in “Trust Me”? Share your thoughts in the comments section below and read more “Dallas Styles.”

Critique: TNT’s ‘Dallas’ Episode 27 — ‘Trust Me’

Dallas, Harris Ryland, Judith Light, Judith Ryland, Mitch Pileggi, TNT, Trust Me

Snow job

Is “Trust Me” the most audacious episode in “Dallas” history? It’s hard to think of another one that shocked me more. Judith Ryland seals a deal with a Mexican drug lord by snorting a few lines of coke, Harris Ryland is revealed as a CIA informant — these are not the kinds of things we’re used to seeing on this show. Some fans are upset with the producers for taking our beloved franchise in such wild directions, but you’ll hear no complaints from me. “Dallas” measures its longevity in decades; at this point, I’d be disappointed if the people in charge weren’t exploring fresh storytelling terrain.

Besides, it’s not like the twists and turns come from out of nowhere. Both scenes fit with the theme of “Trust Me,” which shows how the characters deal with the people who doubt them — and how they deal with their doubts about themselves. The word “trust” pops up repeatedly: Harris tells Judith that Emma can’t be trusted. Elena and Nicolas each tell Carmen to trust their choice to work against the Ewings. Elena tells Christopher to trust her ability to handle Nicolas. Bobby wonders if the old Southfork seismographs can be trusted. Even when “trust” isn’t used, it’s implied: Witness the scene where John Ross stands in front of Pamela, raises his right hand and swears he isn’t cheating with his new secretary. Talk about splitting hairs.

And then there’s Judith’s coke-snorting scene. It’s inexplicably staged in some kind of dirt-floored equestrian arena, where the Mexican drug lord Luis is surrounded by an entourage that includes a young man holding a golden box of cocaine, several thugs toting big guns and two costumed rodeo performers who stand on horses, twirling lassos. A setting like this wouldn’t feel out of place in a Tarantino film. Judith and Harris arrive to meet with Luis, and before you know it, she’s putting Luis’s hands all over her body and talking about the importance of trust in business relationships. Judith implies the point of her self-directed pat down is to prove she’s not wearing a wire, but does anyone doubt she’s also seeking cheap thrills? For that matter, isn’t she also telegraphing a message about her mettle to Harris, who stands next to her, his mouth agape?

The scene continues with Judith shrewdly explaining how she’s going to use shell companies, wastewater trucks and unmapped roads to smuggle Luis’s drugs into Texas — and then we get to the moment that sent “Dallas” fans into a tweeting frenzy on the night “Trust Me” debuted. Judith leans into Luis’s cocaine box, snorts, throws back her head and delivers her hashtag-ready exclamation: “Hot damn! Mama like.” She even rubs a little coke on her gums for good measure. I suppose this is another way for Judith to prove her trustworthiness to the cartel, but let’s not kid ourselves: “Dallas” is trying to shock us — not that there’s anything wrong with that. I love this show’s insistence on being unpredictable. If this scene does nothing else, it demonstrates how eager the people who make “Dallas” are to entertain us. How can you not appreciate that?

As much as I admire Judith Light’s fearlessness in this scene, I have to hand it to Mitch Pileggi, whose reaction shots are priceless. (Director Millicent Shelton, who also helmed last season’s Harris-centric “Let Me In,” is smart enough to keep cutting back to him throughout Judith’s antics in the arena.) I also love how Light and Pileggi play off each other in their other scene in “Trust Me,” when Judith returns to the Ryland roost and announces she’s taking charge of the family trucking — er, transportation — business. Bruce Rasmussen’s script gives Light one delicious line after another, including an allegory that could have rolled off the silver tongue of J.R. Ewing: “Money and morality are like two cars on a one-lane road. When they meet, morality’s going to end up in the ditch.” Light savors every syllable, and once again, Pileggi holds his own. I think it’s telling that after I saw “Trust Me,” I spent more time quoting one of Harris’s lines (“You think you know what you’re getting into, but you don’t”) than any of Judith’s. I don’t know what I love more: Pileggi’s Texas accent, or the way he snarls his dialogue.

It’s also worth noting how much “Trust Me” humanizes Harris Ryland. In the scene where Judith negotiates the new deal with the cartel, notice how Harris doesn’t say a word until Luis implies he’ll hurt Emma if the Rylands don’t hold up their end of the bargain. “My daughter has nothing to do with this!” he says. For that matter, notice how Harris keeps a framed photograph of Ann with baby Emma in his office. This is a man who cares about the women in his life, even if he sometimes calls them names. (Pileggi’s other great line in this episode describes Emma: “She’s a little monster who put me in jail.”)

This also explains why I welcome the episode-ending revelation about Harris’s connection to the CIA, which requires more than a little trust on Bobby and Ann’s behalf. Like Larry Hagman, Pileggi is such a charismatic actor you can’t help but root for his character, no matter how wicked he becomes. I was having a hard time cheering for Harris, though, knowing that he was a drug trafficker. Now I’m glad I can cast those concerns aside. (I can cast them aside, right “Dallas”?) I don’t think there’s any danger of Harris turning into a white knight, but I’m glad to know there are lines he won’t cross.

Of course, as much as the Rylands fascinate me, I would be remiss if I didn’t point out how good the rest of “Trust Me” is. The Southfork barbecue scenes evoke the spirit — if not the down-home grandeur — of Ewing shindigs from days gone by. It’s fun to see John Ross rankle all the women in his life — mother, wife, mistress — by chatting up the other pretty ladies. (One is played by “Survivor” contestant Andrea Boehlke, who is Josh Henderson’s girlfriend in real life.) The only thing I enjoy more is Pamela’s hot dance with the ever-intriguing Nicolas Treviño — not just because it’s good to see Pamela give her flirtatious husband a taste of his own medicine, but also because it demonstrates why the magnetic Juan Pablo Di Pace is such a smart addition to this show. Di Pace enlivens every scene he appears in; as one of my fellow fans pointed out on Twitter the other night, he has chemistry with everyone, including Jesse Metcalfe’s Christopher, whose tête-à-tête with Nicolas over a couple of Miller Lites is another barbecue highlight.

Rasmussen’s script allows “Dallas’s” supporting performers to shine too. No one impresses me more than Kevin Page, whose character Bum has become the conscience of this show. Besides Judith Light’s dialogue, Page has the episode’s most memorable line when he shows John Ross the pictures he took of him and Emma and says, “Grow into your father’s greatness, not his weakness.” Bum’s mysterious-but-strong connection to J.R. makes him the only character on this show who can get away with putting John Ross in his place; he could become an even more effective surrogate father than Uncle Bobby. It’s tempting to chastise Bum for deceiving Sue Ellen about John Ross’s adultery, except there’s no doubt he’s only trying to spare her heartache. And am I the only one who wants to see more scenes between Page and Linda Gray?

This episode’s other M.V.P.: Marlene Forte, who has two great scenes. In the first, Carmen is aghast to learn Elena is working against the family to whom Carmen has pledged her loyalty; in the second, Carmen comes face to face with Nicolas, a boy she helped raise who is now Elena’s partner in crime. I love when Carmen touches the medal around Nicolas’s neck and tells him, “If even for a moment I sense that you are leading either of my children into the darkness, not even St. Christopher will be able to save you.” I’ve always believed Carmen has the potential to become one of this show’s moral centers, and now it looks like that might be happening.

It’s true that Nicolas’s backstory with the Ramoses is a little odd: I suppose we’re meant to believe Carmen and her husband raised him in Mexico but left him behind when they moved to Texas with their biological children, which is why Nicolas isn’t familiar to the Ewings. It’s another example of how the details on this show are sometimes fuzzy, although I’ve learned it’s not worth sweating the small stuff because the new “Dallas” almost always gets the big picture right. Will I still feel that way at the end of this season? Who knows? I have no idea where this series is headed next, but after watching its first 27 hours, I have faith in the people who make it. They’ve earned my respect — and my trust.

Grade: A

_______________________________________________________________________________________________________________________________________________

Bum, Dallas, Kevin Page, TNT, Trust Me

Independent lens

‘TRUST ME’

Season 3, Episode 2

Telecast: March 3, 2014

Audience: 1.9 million viewers on March 3

Writer: Bruce Rasmussen

Director: Millicent Shelton

Synopsis: At Sue Ellen’s request, Bum follows John Ross, but Bum lies and tells her there’s no evidence her son is cheating on Pamela. At the Ewing Barbecue, Christopher and Heather grow closer and Pamela arouses John Ross’s jealousy by dancing with Nicolas. Elena snoops around Bobby’s laptop and discovers an email that connects him and Carlos to Rhonda. Judith takes over Harris’s drug trafficking operation and negotiates a new deal with the cartel. When Bobby and Ann begin investigating Harris’s release from jail, Harris reveals the truth to them: He’s secretly working with the CIA to bring down the cartel.

Cast: John Athas (U.S. Attorney Ellis Larsen), Emma Bell (Emma Ryland), Andrea Boehlke (barbecue guest), Jordana Brewster (Elena Ramos), Christian Clemenson (Howard Rieder), Candace (Jude Demorest), Juan Pablo Di Pace (Nicolas Treviño), Akai Draco (Sherriff Derrick), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Antonio Jaramillo (Luis), Judith Light (Judith Ryland), AnnaLynne McCord (Heather), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Gino Anthony Pesi (George Tatangelo), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing)

“Trust Me” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.